In the red zone

Australian journalist Martin Chulov tells Peter Clarke about the challenges of reporting from Iraq and the preparations for January’s election

While Afghanistan has been centre stage, with its deeply flawed presidential election and the vexed debate about sending in more US troops, Iraq has lost its status as an almost daily source of major news stories, despite elections due in January and the recent bomb attacks on government buildings. But this complex and riven country remains a crucial part of the Middle East’s seemingly unsolvable jigsaw puzzle.

Journalism is fundamentally challenging in Iraq. Personal safety is an obvious issue, and verifying the accuracy of information and providing authentic, informed analysis of events and personalities stretches even the most experienced and assiduous journalists. Martin Chulov is an Australian who has spent the last four years in some of the Middle East’s hottest trouble spots. Now, from his station in Baghdad as a correspondent for the Guardian, he updates Peter Clarke on the latest developments in Iraq and reflects on how different his current life is from being a reporter in Sydney, London or New York.

Because the sound quality from Baghdad was variable, we have also provided a slightly edited transcript of this interview, below. After the interview was recorded the Iraqi legislature agreed on a formula to include the city of Kirkuk in the January 2010 national election, which is now likely to take place on 21 January.

Stream or download the audio here (42 mins 24 secs)

Peter Clarke is a Melbourne-based broadcaster, writer and educator who teaches at RMIT and Swinburne universities. He pioneered national talkback on Australian radio as the inaugural presenter of Offspring (nowLife Matters) on ABC Radio National. Podcast theme created by Ivan Clarke, Pang Productions

Transcript

Peter Clarke: Another horrific bombing in Baghdad, killing and injuring many and destroying more government buildings, has propelled Iraq back into the news headlines briefly. But compared to the daily diet of Iraqi news in years past, this still deeply troubled country has largely fallen off the news radar. National elections are scheduled for January, if the Iraqi parliament can finally reach agreement on the legislation that would underpin electoral legitimacy. And, of course, the withdrawal of US troops to their bases has made a significant difference to the political, social and security climate there. But what are the current trends for an improved future in Iraq, despite the complex web of tribal, ethnic and sectarian loyalties and conflicts? Martin Chulov is an Australian journalist who has become something of a veteran in covering and analysing Middle East events and politics over the last four years or so. He is now on duty in Baghdad as a correspondent for the Guardiannewspaper. Martin, welcome to Inside Story.

Martin Chulov: Hello Peter.

PC: Since Barack Obama took over as president of the United States, there’s been a really big shift in terms of the news coverage of Iraq specifically – clearly, Afghanistan is centre stage at the moment. Can we just step back and put on the wide lens for a moment to give us some context for this conversation. Looking back over those twelve months, what has been the shift in dynamics in Iraq itself?

MC: Well, I think since June 30, in particular, the Americans have withdrawn to their bases… and that means that we’re not seeing them on Iraq’s streets at all, unless they’re being escorted around by Iraqis themselves. So we don’t have the pervasive presence of the Americans on the city streets here. But looking beyond that, their role and their relevance has gradually diminished in the last six months in particular. They are now looking at an exit strategy: they’re winding back the 120,000 troops that they do have here; their diplomatic efforts have also scaled back. They are consolidating, and not as robust or proactive as they were during the previous administration… We are seeing a lot of micro works still being done in the provinces – reconstructions, a lot of water projects and small sewerage or public service projects – but we don’t see the Americans playing a heavy hand in this society as we did, throughout the last six years. So we do have the Iraqis taking control of the levers of power here, to the best of their means at the moment, [and] they still do play a pretty strong consultative role with the Americans. But Iraq seems to be theirs for all intents and purposes at the moment…

PC: Martin, that’s an enormous move really, when we think about it – the withdrawal of the United States troops from the cities themselves back to the bases? As that happened around about three or four months ago, what was the immediate change in atmosphere? A lot of people discussed whether the Iraqis would be able to maintain the security – and we’ll talk about the bombings in just a moment – but what was that immediate shift in the general security atmosphere and the atmosphere generally in Baghdad and beyond?

MC: There was a sense that the Iraqis had reclaimed what was theirs and that they were now masters of their own destiny. So there was a general euphoria at the time, both on the street level and also within the administrative level. The cabinet or the ministers, most of the bureaucrats, were quite happy to talk about how Iraq had regained sovereignty after so many years of not just an American occupation but also thirty years of brutal dictatorship under Saddam, in which there was no respect for the rule of law whatsoever… It was all top down and people didn’t have the right to assert themselves as Iraqi citizens. So we got to the end of that point, ostensibly, in the middle of 2009 and there was a pretty significant euphoria spreading around this town, spreading around this country. And, also, a will for the Americans to leave and not just to move back to their bases and sit there, but to leave for good. I mean it had been a very, very difficult period and this was seen to be the starting point of something new.

PC: I was intrigued to hear you use that term, just being “an Iraqi citizen.” The impression we get here, of course, in our little grabs on the nightly news is that sectarian tensions are still very deep and very problematic and, of course, there are lots of other tensions within Islam itself… So can you sit there today and tell us that there is, as you experience it, a clearcut sense of being an Iraqi citizen? Or, do all those other loyalties play a much bigger role?

MC: It’s a very good question, a question that all of us wrestle with, from the top down, from the American diplomatic efforts here, from the Iraqis themselves. But I must say that looking from society from the grassroots level up it is difficult to see a sense of Iraqi nationalism riding above the tribal, sectarian and clan loyalties that we do see around the country. It is fair to say that the sectarian tensions that exploded into outright civil war in 2006 are not as strong now. But they are still there; there are still some very powerful undercurrents here… The loyalty to the tribes is paramount. It is very much a tribal society. It is still split in the government along sectarian lines, although Prime Minister Nouri Al-Maliki is contesting the next election looking for a cross-sectarian base. But we have seen throughout the ages in Iraq the time-worn adage of “safety in numbers,” and people do look for safety within the tribes, within their sects and within their areas of Iraq. It’s still pretty geographic-centric: the Shiites are in the south and the Sunnis are pretty much in the centre and the Kurds have the north. There isn’t a lot of mixing. In Baghdad there was a sectarian cleansing going on throughout 2006, 2007, and lots of mixed areas were vacated, or certainly whoever had the power base in that area, whether it be the Sunnis or the Shiites, their opposite would have left. Now we are starting to see them come back to these mixed suburbs and there are some reconciliation processes going on right throughout the community.

Is that going to translate into a rising sense of Iraqi nationalism? At the moment it’s very difficult to see that and if you look at this electoral process at the moment – the run-up to the election which is due to be held on January 16 – there doesn’t seem to be much evidence that we can see of people looking to embrace this election as Iraqis. The sectarian lines are pretty strong and pretty entrenched and it does look as though we will head to the election with people looking to boost their power base and their sect, rather than their country.

PC: Early on, of course, or much earlier on, Martin, there was quite a bit of discussion about the potential for a federal system within the nation of Iraq, with the Kurds to the north and you’ve already mentioned those broad geographical divisions between the Shiites and the Sunnis. Is that still on the agenda, the possibility of something like that?

MC: No, it’s not being talked about at the moment and there really isn’t any will for a federal system that we can see from the central government in Baghdad. There is a fear that that may lead to a further push for partitioning the country. If that was to happen there would be enormous instability in Iraq and it just would not be something that the Iraqi administration would support, and nor would its neighbours. If Iraq was to partition along sectarian lines, there would be absolute chaos in the heart of the Middle East…

PC: I notice the latest news indicated that the parliament still hasn’t nailed down the legislation for these looming elections in January. What are the key sticking points here? I notice mention of the way the ballot paper may be laid out and, of course, Kirkuk is in a very difficult area and that seems to be playing into the difficulties around the election as well…

MC: The key sticking point, as you say, is Kirkuk, what to do with Kirkuk. Now Kirkuk has long been contested; the Kurds, the Turkmen, and the Arabs have all laid claim to this strategically important city in northern Iraq, which is just above a massive subterranean lake and is very important in providing future revenues for the Iraqi economy, which is doing very, very poorly and oil is its meal ticket. So Kirkuk – for the reasons of oil and also for other reasons that go back throughout the ages – is strategically important to all sides. Kirkuk was not part of the provincial elections, but there is a significant push from the central government to include it in the national elections for the new prime minister and the new government, in January.

People are pushing on one hand for the right to elect individual citizens. On the other hand, there is a push to elect a party block. There doesn’t seem to be any agreement, from any side at the moment, on how that is going to move forward, because over the last fifty years, since the last time there was a census, the demographics have changed significantly. There’s been claim and counter claim, by all sides, of Kurds, Turkmens and Arabs being shipped in by various politicians or militias to make up the numbers. The fact is we don’t have a reliable census in Kirkuk or reliable demographics to actually let us know, who is there and what the demographics are now. So the push at the moment is to try and work out a formula to satisfy all sides and include Kirkuk in the poll and accept the results of the election as legitimate, if it is in fact held. It is very, very hard to see how we are going to see a resolution on that.

The electoral law, which was due to be introduced into parliament, and enacted, has been delayed three weeks now, and there is growing talk in Baghdad that the election may be delayed. If that happened that would be a setback. But Kirkuk is a very, very thorny issue that is going to need a lot of work over a number of years to make any side happy.

PC: You mentioned earlier Prime Minister Maliki’s move to broaden his base to reach for a much broader coalition. But will the Sunnis be involved in the election this time after boycotting the last one?

MC: They are showing no signs of boycotting this one. Indeed, they are campaigning actively and looking to see where the lists end up and whether they can, in fact, make a push to regain ground that was lost in 2003 when Baathists were ousted, and was further lost when the Sunnies actually boycotted in 2005. I think there is a view in retrospect that that wasn’t terribly wise: it was an act of protest because they were thinking that if they did contest that election then that would just legitimise what they thought were unjust losses in 2003. However, this time they do appear to be contesting. They do know that their way to return to the power base here is through cross-sectarian support, rather than standing alone as a bloc…

PC: Is an Iraqi general election campaign anything like we experience here in Australia, or the United States? Or even in Iran when they had their elections – they were rather western style elections with debates, live television debates, etc. Does it go anything like that in Iraq?

MC: We do see the town hall meetings that we’d be used to. We do see the grassroots rallies, and prime ministers and senior figures wandering on through like conquering heroes amongst a sea of flags and banners and chants. And we do see some public discourse, and cabinet ministers putting themselves up on television for, I guess, a grilling – although by our standards it wouldn’t be considered so. Society here is still very differential, and it’s not all that easy to take on a senior player, somebody who is considered to have power and patronage. It’s not that easy to criticise or to take them on in an interview setting if you are an Iraqi. But, that said, there is a broad exchange of ideas. There is a semi-democratic model, or at least the semblance of it, that we could recognise and people do campaign on the things that citizens want – and that is delivering services, such us sewerage, roads… and cleaning up the smaller areas. I guess the local MPs do play a role and they do campaign for the support of citizens in certain areas. So, yes, it is a process that we would be familiar with. It’s perhaps not as rigorous and not as transparent as we would be familiar with.

PC: Martin, I have very little idea really of just what state the local Iraqi media has reached at this stage… Of course, here in Australia, the United States, the United Kingdom, there is this great discussion around journalism at the moment and the involvement of social media. I’m not sure how much social media plays a role there in the local Iraqi media. But just what standing does the local Iraqi media have at the moment, and to what extent are they playing a significant role in the campaign?

MC: There are plenty of media outlets here and there are plenty of journalists. What we do see unambiguously is that media outlets are aligned with certain political blocs… and there doesn’t appear to be too many commentators, or too many television stations or newspapers or radio stations, that are neutral or can be seen to be giving an independent or even semi-independent look at all sides. The official government station here, Iraqiya, does not criticise the government at all. There are opposition television stations and newspapers here which don’t give the government a voice. So there is a robust media industry, although they don’t examine as forensically as many of us would like the shortcomings, the failings, or even the successes of their adversaries. Journalism here has a way to go, but there is an enthusiasm for it. News coverage is eagerly sought. On a public radio level, I mean there are talkback callers, and people are free to criticise their local mayor or their local governor if things aren’t happening in that area and things actually do start to work. In terms of citizen journalism or social media, we don’t see any twitter or blogs or various things hitting the agenda. But the old style talkback, or citizen participation on television or radio, still does play a role and in many cases, an important role.

PC: You mention an absence of a forensic sense of inquiry. Just so we get a better idea of that, Martin, what sort of coverage across those various outlets, media outlets and from various journalistic outlets, did you see there after the most recent bombing?

MC: That clearly raised significant questions about (a) the competence and (b) the loyalty of the security forces. It’s not easy, you would have thought, to get four huge bombs, four truck bombs, into the heart of Baghdad within three months and to destroy three government ministries and the [offices of the] Baghdad governorate. Not surprisingly there were some very significant questions asked about how this could happen and government ministers [and] government officials were called to account by media outlets to explain themselves, and so they should have. I mean this is just something that in our society we would have noticed some dramatic ramifications. However, on the government television station, Iraqiya, we didn’t see any criticism of the government itself. What we did see is yet another attempt at blaming the neighbours, blaming Syria, Saudi Arabia and Egypt.

It’s quite common in Iraq after a bombing like this, which does cause some acute embarrassment for the government, some acute shame as well, to put somebody out on the television confessing to committing these crimes and naming people who he claims to have backed them. [After] the August bombs, which destroyed the foreign and finance ministries, we saw that happen within a day, and the government then held that up as proof that Baathists in exile in Syria were backing things and that then becomes the narrative that is pushed for the next six weeks or so. And after the bombs in late October we saw something similar. Putting people up like that isn’t necessarily convincing and the government doesn’t do a great job of presenting its case. However, huge events like that, flash points that do have the potential to change the political landscape here, are heavily scrutinised by most sides, not all sides, and the citizenship here does feel free to criticise the government and to put their names to their criticism. So there are some positive signs there, and there is a degree of scrutiny. It’s just not as extensive as it is in more developed societies.

PC: We read today in our news here that there’ve been some pretty widespread arrests in connection with the most recent bombing. How do you read those arrests? What’s the significance of those particular arrests amongst so many from the security forces?

MC: I think my initial reading from that would be that many of them are face savers, they are not being accused of direct participation, or facilitating the bombings. I think as it happened in August, they are accused of being lax at their checkpoints and not being professional enough to actually stop these devices coming into the city… They’d driven from the northern city, from fifty kilometres north, and they’d passed a number of checkpoints with forged documents to get to the green zone. So it must be said that it was a reasonably clever sort of a set-up to pass these checkpoints, and it wasn’t as if it was a concrete mixer driving on through, which had been used to blow things up in the past. So the militants that use these sorts of bombings they do learn and they do evolve and they do make things difficult for people who are looking to find them. But after the August bombs there was a decree across Baghdad that no trucks carrying anything more than one ton could move around the city at all between 6 am and 4 pm in the afternoon. Now these bombings happened at 10.30 in the morning. One of the bombs outside the governorate, contained in a minivan, did a lot of damage but nothing as extensive as the justice ministry just further up the road, which was blown up by a water tanker. Rather than carrying it in a big container, this was a tanker, carrying portable water ostensibly, that was filled with ammonium nitrate. So it is not easy to detect these things if they go to such lengths to disguise them. But there are and there have been some pretty strict security protocols, and people do have to pay a price, I guess, in some sense, for these things happening. But so far we haven’t seen any of the sixty-odd people that were rounded up as part of a sweep being accused of being part of any conspiracy. It is more so that they are lackadaisical in their duties.

PC: Can we put a slightly harsher spotlight on Prime Minister Maliki himself? He is not a figure that we know much about here in Australia, as you’d understand, he’s a bit of a shadowy figure to us in many ways I think. But he has survived in that role for quite a number of years. Introduce us more to his political abilities and his capacities perhaps, Martin, to win this next election. How clever is he as a politician?

MC: This election will answer that instructively. Over the last three and a half years that he’s been in power, he’s also been a shadowy figure here. We don’t have a lot of access to him, we try, but as a western media corps here we don’t see him a great deal. He does stick to the set pieces. He does do a lot of work outside Iraq, and he does do a lot of work in trying to build coalitions and build alliances to keep himself in power. I mean it’s not easy to claim power here and to hang on to it. And, he did have some very heavy patronage from 2006 onwards, during an incredibly difficult period in Iraq, from the last American administration and the embassy here. So there is a perception that he was propped up during that time. I mean, he had a wavering, I guess you could say, relationship with the Bush administration who initially backed him, then started to drift away from him. By the end of their time, they were backing him again, largely because at that point the security situation in Baghdad and across Iraq had started to stabilise.

So he is somebody that the Americans have invested their trust and invested their faith in. He is somebody that the Iraqis have started to do so as well. We saw during the provincial elections in January his political bloc did very well. But we don’t see any great evidence at this point, of him leading this nation out of the mire that it’s been over the past six years. He has claimed, and rightly, that Iraq can only start to advance once security is brought into the society at all levels. That’s why he had pushed so hard on saying that Baghdad was now a safer place than it ever was. That is why he has felt it so harshly when four enormous bombs that had levelled government institutions had proven that his security gains were perhaps illusory.

But in terms of whether this prime minister is somebody who can go on to make his mark in this society, it really is difficult to say. He doesn’t have a great deal of charisma. When he moves around town here, he moves around in massive convoys and roads are shut for four or five hours before he’s moved. So it is not as though he is doing many street walks or allowing an audience to regular citizens, and the security situation, I guess, dictates that – that he does have to stay inside the green zone and run the business of state from a sanctuary. There are the criticisms that he doesn’t know the society as well as he should as a leader. But there are also some factors that make that almost inevitable for now. I wish I could give you a more comprehensive psychological assessment of the man. But the fact is that we don’t know him, and many Iraqis don’t know him either.

PC: Of course, talking about the election, talking about Maliki and the very shaky security situation as it continues, it’s not hard to imagine, Martin, is it, that as the election gets closer if they do manage to nail down that legislation, that there could be more bombings and the election could be a very fraught period indeed. Do you anticipate that there could be more of that sort of violence leading up to the election?

MC: I think we all anticipate that there will be some more bombings. I guess ironically there aren’t too many government ministries left to blow up, that certainly people can access. Most of the rest appear to be within the green zone or within very safe areas that it’s very hard to reach. There is a will amongst the Sunni insurgents and perhaps the Baathists who back them – perhaps, I say, because we haven’t seen anything to prove it; there is evidence to suggest it, but not prove it – but there is a campaign, by Sunnis in general, to destabilise the government by delegitimising some of its claimed security gains. That is going to be an important strategy in the lead up to the elections. So there is an anticipation, a wide anticipation, that we will see more violence here.

What we are not seeing is the sectarian stuff that we saw throughout 2006 and 2007. The dreadful slayings, the rounding up of people at the checkpoints… So the sectarian stuff has not flared up again, and indeed the Shiite militia… have remained stood down since early 2008. We don’t see them on the streets they don’t run checkpoints. The checkpoints all seem to be run by the Iraqi army and the Iraqi police these days, which does give a degree of confidence. While we anticipate more bombings, more uncertainty and more fear in the streets, not to the extent that the brutal civil war of 2006–2007 that led so many Iraqis to leave the country, will flare up again. We do think that there is a lid on that for now and it is unlikely to be removed before the poll.

PC: Martin, they are all very intriguing aspects and you’ve already given me a lot more information than I had before we started this conversation, but do you mind just giving us a sense of what it’s like there, just to be there as a human being. You alluded a moment ago, to the Iraqi society and I’m assuming that’s a multilayered and complex society. But how would you, in just a few words, summarise your experience of the Iraqi society as of today? What’s it like for the average Iraqi with their family, perhaps working, perhaps going to university, etc etc? What changes have you seen and how would you describe it today?

MC: Over the last two years, despite the extreme violence we see from time to time, we have seen on the streets of Baghdad a better atmosphere, I guess you could say. I mean, you look around and you see new shops with new European goods, or copies of European goods that are imported from China, opening up everywhere. There is a bit of money to spend. We do see families taking their children to public areas now and having picnics. We didn’t see that two years ago. It’s certainly something that has brought a renewed sense of normality to Baghdad now. So despite the bombings, despite the almost daily bombings in the capital, the small magnet bombs put under cars, the government checkpoints attacked, people are trying to live what they would say would be a normal life. That is, that they will go to the shops, they will go to shopping malls and they will go to parks.

That said, we’re still seeing an enormous number of kidnappings now, mostly for ransoms. Anyone who is wealthy and has children will be targeted and there are still kidnappings going on every day here and ransoms are paid very, very regularly, so there is still no great confidence or no newfound respect for the rule of law here. It’s still pretty much a jungle in some aspects. Iraqi families do have to put up with this and do have to accept this as the norm for now – that even though they can do the things that you and I would take for granted, go to the shops, go to the parks, there is still a real risk and people are looking over their shoulders here. So it is a society that isn’t normal. It’s a society that’s gone through a lot over thirty-five years – or more than that: we had three decades of Saddam, we had two wars, we had twelve years of sanctions and six years of occupation. So it’s not as though it’s had a great deal of opportunity to develop a robust sort of society… It does have a long way to go, but people are starting to assert their rights and actually do pleasant things, or do things that they enjoy. I guess, in part, despite looking around and seeing such a bleak landscape on many levels, it is refreshing to see that people are resilient here.

PC: You as a journalist, as a western journalist there, trying to live your own life day by day, but also doing your job as a professional, what’s it like for you? For example, Martin, where are you right now? Are you in a secure area or are you just out there in the jungle, as you describe it?

MC: We are in an area just south of the green zone, in what’s called the red zone, and we’re in an area which is protected by Peshmerga soldiers. Peshmerga is the Kurdish military. They control our precinct in Baghdad in which the President lives, he has a palace here, President Talabani, who is a Kurd, so they are responsible for security here. We live in house inside their zone. So, we are in pretty good shape. We can get around. In this area we don’t run any sort of a risk of being kidnapped or blown up, although rockets do go over our head on a daily basis on the way to the green zone. But when we do get out and about – today we are going to Fallujah, which is 60 kilometres out of town – we do have to be very, very careful. It is still not normal to see western reporters or anyone western who isn’t military or embassy driving around Iraq. So we limit our time on the ground.

I want to make sure that I can reflect what’s going on in Iraqi society as well as I possibly can and not just bunker down and expect some people to come to me. So we do look, we do go, we do travel and we do observe as much as we can. But we always do have to maintain some security protocols. Despite the fact that Iraq has improved on many levels, it is lethal there in the shadows and if we’re not careful we could end up in some trouble. So the balance is not putting ourselves too much in harm’s way but, by the same token, always being in a position to reflect how this very, very important part of Middle Eastern history is tracking. As you said when we started the conversation, the interest in the story, or in Iraq, has started to wane over the last year or so, but I guess we see our role as journalists as almost duty bound just to keep it in the public domain and not just to let it slip away into obscurity but to report this story as a legacy. How is it tracking, I mean there were so many expectations, so much money spent. But, it is an important period to actually reflect, or to report or to chronicle on how it is actually doing now.

PC: As you describe that I’m just trying to use my imagination as a journalist to try and think through how you do that job? I understand some of the things you are saying. It sounds like, Martin, you have to really bring together those very bedrock skills as a journalist, but you also have to be very analytical. You have to bring together what you see as an eye witness with your background knowledge, etc. So do you agree with me that, it does differ fundamentally in many ways from being a journalist here in Australia, or in Canberra, or in London, or in the United States? It is fundamentally a different sort of job there, isn’t it?

MC: Very much so. I guess any foreign beat you need to know the context of your patch in order to reflect what’s going on now. But the Middle East in particular is so multi-layered and so much perspective and context is needed here before you can even start to add value as a journalist. That does involve some analytical skills, some interpretative skills, but also in essence of being able to pick your mark. It’s being able to pick that anecdote or pick that story or issue which is going to reflect a broader trend and to be able to cast that in the right way and to attract the interest of your foreign desk, who have a lot of competing stories for limited spaces. So it’s just a matter of really getting across it at such a forensic, multi-layered level and then being in a position to use that knowledge that you build up to infuse into anything that you do write. But Iraq is a society that is rich with anecdotes, rich with human suffering, human tragedy and, in some cases, great human success stories. So, it is a colourful place still. It is somewhere that once you do get out of that and you pick your mark carefully, you can quite often get a reward in terms of the work that you are able to produce. So it’s a very, very difficult society in which to operate in as a reporter. There are so many variables here and it’s very, very tiring. But by the same token, when you do put in the effort you usually do get a result and sometimes you can make contribution which does make it worthwhile.

PC: In a rather phlegmatic Australian way a few moments ago, you mentioned the rockets going over into the green zone, etc, and that you are in a reasonably secure situation there with the Kurdish troops, but I have to ask you, Martin, how you deal day by day as a human being, as well as a journalist, with that level of threat and that level of risk and seeing violence and experiencing violence either directly or vicariously? Is there a psychological first aid dimension to all this?

MC: I think that some of it may account for why this place is so tiring. We do six weeks rotations in here and four weeks out, and by the end of the six weeks you’re utterly exhausted and it’s not just because of the heat or because of the harsh climate. A lot of it is because psychologically you are confronted all the time by some pretty harsh things and some evil things as well… As I said earlier, we can’t bunker down. Sometimes you do have to take a risk and you do get out in the streets. What we all have feared for many, many years and is less of a threat now is being kidnapped and that would be a terrible ordeal that none of us actually want to go through. We have had some experiences, some kidnapping experience here, and its something that we don’t want to repeat. So we don’t have the risk from being lifted at illegal checkpoints or even by Iraqi police or soldiers – although soldiers always are less of a risk than the police. So there is that dimension, that you are looking over your shoulder the whole time. But, you do also become semi immune to it. When rockets go over your head here, you know that they are not aimed at your house, they are being aimed at the Americans and they are in a very fortified embassy compound there, so they can look after themselves. The journalists in Iraq haven’t been targeted, not the western journalists, for the last eighteen months or so. So that would tend to be a pretty reasonable trend, you would hope.

But, as I said, it’s not an easy place and you do feel drained by it and on a daily basis you are seeing things that I guess as a reporter back in Australia would sicken you. I think sometimes when you do sit down to draw breath you wonder how you’re getting through it all and what have you become. Maybe the sights of human legs and human hands and dead babies don’t affect you as they once would. I guess theses are questions we all wrestle with during our quieter periods. But they don’t sort of dissuade you from just getting on with the job.

PC: Martin, as a final question, further down the track you won’t be in Iraq you may be somewhere else. You may be in London, or the United States, or some other locale as a foreign correspondent where things aren’t as violent, the whole dynamic is totally different. How have you changed as a human and as a journalist? Do you feel there’s been a shift inside you in some ways because of what you’ve just described as the day-by-day strictures and the challenges of being a journalist in Iraq and in Baghdad. Do you think when you come to the fluffy trivial stories in the future, that you’ll be a little less patient with all that?

MC: I think it will be very difficult for me to head back to Australia now and be a roundsman on a newspaper. I think I’ve been in the Middle East for four years now and right around from Gaza to Jerusalem to Lebanon, Syria, Iraq and Yemen, so I’ve done a reasonable period I guess at ground zero of a lot of what’s good and bad about the world. It’s a very confronting place. It’s a very tough school, the Middle East. You get scrutinised intensely here and you learn a lot, too. This has been a flashpoint throughout the past eight years or so… and the experience that you get from a society like this is something that it would be difficult to translate or difficult to parlay into returning to what was your old job in Australia. So I think you use this experience, for all its dangers, for all its risks, for all its difficulties, as something which gives you very rich and very valuable context on how the world actually works, or how this part of the world works and its knock-on effects elsewhere. So would it be difficult for me to write softer stories in downtown Manhattan or the city of London? No it wouldn’t. But I think I would always like to use the experience that I do have to add value in other ways. So if I moved on to another job, or another post, I think that everything that I’ve been able to do here throughout the last four years, will be pretty valuable and will set me up to perform a decent role elsewhere.

PC: Martin, I think when we watch the news at night, or hear the news, or chase it up online, we take for granted a lot of what goes into creating these stories, and the constant pressure on you as a foreign correspondent and your colleagues. We appreciate the time you spent with us today on Inside Story. Thank you very much.

MC: You’re welcome, Peter. Thank you.

 

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Censored Images of War

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Microfilm Projections of Iraqi Invasion

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Predators campaign ad

Reporters Without Borders denounces the “Predators of Press Freedom” by releasing its annual list of the worst violators and launching its latest high-profile campaign ad.

Reporters Without Borders issued its first predators list in 2001. The aim of these annual lists is to turn the spotlight on the presidents, ministers, generals and militia leaders who systematically target journalists.

The 2010 list of predators will be released on 3 May. At the same time, Reporters Without Borders will also launch its new campaign ad, pointing the finger at these predators. The campaign was designed by Saatchi & Saatchi and the artists Stephen J Shanabrook and Veronika Georgieva, who put their talent in the service of press freedom.

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Trip to the British Library Newspaper Archive

I went to the British Library newspaper archive yesterday. I had no idea when I boarded the tube that it was going to take me well over an hour each way and that was just the tube ride. The library itself was quite a nice environment to be in once I got there. The system that they use there is a bit frustrating when you don’t know how it works but I got the hang of it in the end and when I go back tomorrow and most likely Tuesday for two full days of microfilming and printing, i’ll be quite the expert. Let’s hope it goes well and I get everything I need.

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Baghdad: City of Walls, part 1: Scars of war

http://gu.com/p/26q8k

Baghdad, a traumatised city, wears its scars as a series of giant walls dividing its neighbourhoods. Ghaith Abdul-Ahad reports from his home town in the first part of his City of Walls video series. There are four parts in the series.

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Inge Missmahl brings peace to the minds of Afghanistan

Amazingly inspirational TED talk. What a strong, determined, forward thinking woman. We should all learn from this.

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Stanley Kubrick’s Napoleon Book

The book entitled Napoleon came about as a direct result of the unused research material Stanley Kubrick collected, in his research for the movie that he dreamed about making but never got the chance to. The colossal volume of research he carried out is now contained inside the book.  You could make it yourself if you want, as every single bit of information pertaining to the project has recently been published in the form of a book called Stanley Kubrick’s Napoleon: The Greatest Movie Never Made. It’s ten books in one (literally, with nine books sitting inside one enormous carved out fake book), limited to 1,000 copies, and costs £450. All the location scouting photos, all the research pictures, costume tests, correspondence with historical experts, Kubrick’s script – it’s all contained inside this wonderful book.

Unboxing of the massive volume designed by M/M (Paris) and edited by Alison Castle, that contains all the elements from Stanley Kubrick’s archives compiled into 10 smaller books.

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Inside Iraq: Battle for Haditha Part 1

The Battle of Haditha was a battle fought between U.S. forces and Ansar al-Sunna in early August 2005 on the outskirts of the town of HadithaIraq, which was one of the many towns that were under insurgent control in the Euphrates River valley during 2005.

On the first day of the battle, a six-man United States Marine Corps sniper unit in Haditha was attacked and over-run by a large insurgent force. All six men were found dead after the battle.

Two days after the killings, Marine forces launched Operation Quick Strike to disrupt insurgent presence in the Haditha area. On the second day of that operation, a Marine Amphibious Assault Vehicle hit a large road side bomb, killing 15 out of the 16 on board.

Below is a two part YouTube video, where we see British director Nick Broomfield who filmed he movie entitled Battle for Haditha which is based on the Haditha killings incident speaking about the experience of filming. In the movie we see Broomfield dramatising real events using a documentary style. The film was aired on Channel 4 in the UK on March 17, 2008. Shot on location in Jerash, Jordan, the film uses former U.S. Military personnel and Iraqi refugees to play many of the roles.

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Inside Iraq:Battle for Haditha Part 2

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Julian Assange on the Afghanistan war logs: ‘They show the true nature of this war’

Julian Assange, the founder of Wikileaks, explains why he decided to publish thousands of secret US military files on the war in Afghanistan.

http://gu.com/p/2th59

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Afghanistan: The War Logs

Afghanistan war logs: Massive leak of secret files exposes truth of occupation

• Hundreds of civilians killed by coalition troops
• Covert unit hunts leaders for ‘kill or capture’
• Steep rise in Taliban bomb attacks on Nato

The war logs reveal civilian killings by coalition forces, secret efforts to eliminate          Taliban and al-Qaida leaders, and discuss the involvement of Iran and Pakistan in      supporting insurgents. Photograph: Max Whittaker/Corbis

huge cache of secret US military files today provides a devastating portrait of the failing war in Afghanistan, revealing how coalition forces have killed hundreds of civilians in unreported incidents, Taliban attacks have soared and Nato commanders fear neighbouring Pakistan and Iran are fuelling the insurgency.

The disclosures come from more than 90,000 records of incidents and intelligence reports about the conflict obtained by the whistleblowers’ website Wikileaks in one of the biggest leaks in US military history. The files, which were made available to the Guardian, the New York Timesand the German weekly Der Spiegel, give a blow-by-blow account of the fighting over the last six years, which has so far cost the lives of more than 320 British and more than 1,000 US troops.

Their publication comes amid mounting concern that Barack Obama’s “surge” strategy is failing and as coalition troops hunt for two US naval personnel captured by the Taliban south of Kabul on Friday.

The war logs also detail:

• How a secret “black” unit of special forces hunts down Taliban leaders for “kill or capture” without trial.

• How the US covered up evidence that the Taliban have acquired deadly surface-to-air missiles.

• How the coalition is increasingly using deadly Reaper drones to hunt and kill Taliban targets by remote control from a base in Nevada.

• How the Taliban have caused growing carnage with a massive escalation of their roadside bombing campaign, which has killed more than 2,000 civilians to date.

In a statement, the White House said the chaotic picture painted by the logs was the result of “under-resourcing” under Obama’s predecessor, saying: “It is important to note that the time period reflected in the documents is January 2004 to December 2009.”

The White House also criticised the publication of the files by Wikileaks: “We strongly condemn the disclosure of classified information by individuals and organisations, which puts the lives of the US and partner service members at risk and threatens our national security. Wikileaks made no effort to contact the US government about these documents, which may contain information that endanger the lives of Americans, our partners, and local populations who co-operate with us.”

The logs detail, in sometimes harrowing vignettes, the toll on civilians exacted by coalition forces: events termed “blue on white” in militaryjargon. The logs reveal 144 such incidents.

Some of these casualties come from the controversial air strikes that have led to Afghan government protests, but a large number of previously unknown incidents also appear to be the result of troops shooting unarmed drivers or motorcyclists out of a determination to protect themselves from suicide bombers.

At least 195 civilians are admitted to have been killed and 174 wounded in total, but this is likely to be an underestimate as many disputed incidents are omitted from the daily snapshots reported by troops on the ground and then collated, sometimes erratically, by military intelligence analysts.

Bloody errors at civilians’ expense, as recorded in the logs, include the day French troops strafed a bus full of children in 2008, wounding eight. A US patrol similarly machine-gunned a bus, wounding or killing 15 of its passengers, and in 2007 Polish troops mortared a village, killing a wedding party including a pregnant woman, in an apparent revenge attack.

Questionable shootings of civilians by UK troops also figure. The US compilers detail an unusual cluster of four British shootings in Kabul in the space of barely a month, in October/November 2007, culminating in the death of the son of an Afghan general. Of one shooting, they wrote: “Investigation controlled by the British. We are not able to get [sic] complete story.”

A second cluster of similar shootings, all involving Royal Marine commandos in Helmand province, took place in a six-month period at the end of 2008, according to the log entries. Asked by the Guardian about these allegations, the Ministry of Defence said: “We have been unable to corroborate these claims in the short time available and it would be inappropriate to speculate on specific cases without further verification of the alleged actions.”

Rachel Reid, who investigates civilian casualty incidents in Afghanistan for Human Rights Watch, said: “These files bring to light what’s been a consistent trend by US and Nato forces: the concealment of civilian casualties. Despite numerous tactical directives ordering transparent investigations when civilians are killed, there have been incidents I’ve investigated in recent months where this is still not happening.

Accountability is not just something you do when you are caught. It should be part of the way the US and Nato do business in Afghanistan every time they kill or harm civilians.” The reports, many of which the Guardian is publishing in full online, present an unvarnished and often compelling account of the reality of modern war.

Most of the material, though classified “secret” at the time, is no longer militarily sensitive. A small amount of information has been withheld from publication because it might endanger local informants or give away genuine military secrets. Wikileaks, whose founder, Julian Assange, obtained the material in circumstances he will not discuss, said it would redact harmful material before posting the bulk of the data on its “uncensorable” servers.

Wikileaks published in April this year a previously suppressed classified video of US Apache helicopters killing two Reuters cameramen on the streets of Baghdad, which gained international attention. A 22-year-old intelligence analyst, Bradley Manning, was arrested in Iraq and charged with leaking the video, but not with leaking the latest material. The Pentagon’s criminal investigations department continues to try to trace the leaks and recently unsuccessfully asked Assange, he says, to meet them outside the US to help them. Assange allowed the Guardian to examine the logs at our request. No fee was involved and Wikileaks was not involved in the preparation of the Guardian’s articles.

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Death and voyeurism in reporting

Stripping Bare the Body: Politics, Violence, War By Mark Danner

“Why can’t you go somewhere nice for a change?”, complained Mark Danner’s mum about the destinations — Haiti, the Balkans, Iraq — of her son’s 23 years as a foreign correspondent: 23 years of witnessing, and risking, shocking violence.

Danner was in Haiti after the military coup in 1986, during which deposed dictator Jean-Claude “Baby Doc” Duvalier was flown out in a US miliary jet. He took with him US$250 million amassed from a country where nine in 10 people lived on less than $180 a year.

The US had backed this “virtuoso of terror” for 15 years because Duvalier’s rule ensured the “containment of communism” — code for keeping subdued the labour unions, students and liberation theologists (including future president and coup victim, Father Jean-Bertrand Aristide).

So brutal had been Duvalier’s reign, however, that it had spurred the “counter-power of the streets” to greater opposition, and US strategists went for Plan B, the “transition to democracy”, in which a parliamentary facade would be erected around an army that held effective power and ensured the usual services that Haiti offered US corporations — cheap labour sweatshops for US investment and a favourable market for US exports.

Washington, writes Danner in Stripping the Body Bare, supports and ditches dictators depending on whether they can deliver “stability” (for US corporations).

Further repression from the Haitian elite, the army and the old Duvalierist militias promptly stifled the optimism that emerged with Duvalier’s ousting.

Danner’s next stops were the Balkans, where “ethnic cleansing” was the massacre strategy of choice after the break-up of the Yugoslav federation in 1991, and Iraq, which matched the Balkans for atrocities during and after the US-British-led invasion in 2003.

The Iraq war delivered one-sided, industrial-scale death and destruction (and provoked a violent resistance) for political ends that had no basis in the “facts” touted by then US President George W. Bush and British prime minister Tony Blair. In fact, it had everything to do with the “unfettered flow of oil”.

A secret memorandum of the minutes of a war planning meeting in July 2002 between Blair and his senior ministers, reveals that when the head of Britain’s MI6 met with his CIA peer eight months before the invasion, the Bush administration had already decided to invade Iraq. It was scrambling to “fix the intelligence and the facts” around the policy, concocting fables about Saddam Hussein’s support for terrorism and weapons of mass destruction.

The secrecy and lies about the Iraq war soon included torture. The Bush administration “repeatedly and explicitly lied about this practice”, publicly denying a policy approved by the president and monitored by his senior officials.

Euphemised by Bush as an “alternative set of procedures for interrogation, torture was candidly described by then vice-president Dick Cheney as the “tough, mean, dirty, nasty” tactics they wanted to fight the Iraqi resistance, which the administration now lumped in with its “global war on terrorism”.

Danner’s reporting from the global epicentres of violence is a “moral test of the history of America as a world power”, a test that the American political establishment fails — although there are less verbose writers who make a similar assessment without getting as lost in a welter of journalistic impressions or as bogged down in a forensic analysis of “intricate bureaucratic mechanics”.

Danner also illustrates with grim precision how violence is the continuation of politics by its most naked, deadly means. As one former Haitian president told Danner, “violence strips bare the social body” — the real but normally hidden structures of power are revealed in extremis through assassination, coups d’etat, death squads, paramilitaries, invasion, massacre, concentration camps, torture and genocide.

Danner’s fascination with violence, especially at its most grisly, is, however, problematic. Danner draws “narrative pleasure” from the carnage. Mutilated bodies are a source for the “voluptuous pleasure of reporting”. Violence arouses Danner’s senses.

He becomes alive through the “excitement and life-heightening passion of being there” — a positive outcome for Danner, perhaps, although the less-than-alive corpses might disagree, if they were able.

Sadly, Danner’s voyeuristic focus on violence, with its sensual arousal and “erotic pull”, is more pornographic than political and offers nothing in the way of solutions to the terrible human and political decay he records.

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Voyeurism in Triage

I came across this movie today called ‘Triage’. It sounds quite interesting and the subject matter is closely related to my Major Project.

“If you are intending to see Triage with the expectation of explosions, bullets and savage scenes depicting combat, know that there are images you won’t soon forget. But Triage is not just a film about war. Also, not simply a reflection on the “voyeurism” of war reporters, of course the film examines the question as to what motivates the photojournalist. We’ve all seen the Pulitzer prize winning photograph of the execution of Viet Cong Captain Nguyen Van Lem. What may be less familiar to us is the photo of the widow he left behind. And possibly for some of us who live so far removed from the experience of war or extermination, this kind of documentation helps us to wrap our heads around the fact that such atrocities do indeed exist.”

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American voyeurism in post-war Iraq

Imperial Life in the Emerald City: Inside Baghdad’s Green Zone

Narratives of American misadventure during the occupation and its aftermath continue to emerge out of Iraq as journalists publish candid accounts that are, at times, even jaw-dropping. The lethal cauldron that is today’s Iraq was partially a creation of the Coalition Provisional Authority’s (CPA) 15-month undertaking which, as American-Indian journalist Rajiv Chandrasekaran writes in his debut book, was an American mission doomed to failure. A detailed, at times bizarre portrayal of life in the American Green Zone, Imperial Life in the Emerald City: Inside Baghdad’s Green Zone also documents Chandrasekaran’s experiences in Iraq as the Washington Post’s Baghdad bureau chief in 2003-04. Chandrasekaran has probably spent sufficient time in US-occupied Iraq to allow for his intimate perspective to permeate this history of the CPA. He details the tenure of the presidential viceroy L. Paul Bremer between May 2003 and June 2004 as an all-too-predictable disaster, in which an occupational administration selected primarily for its loyalty to the Bush administration habitually ignored the reality of local conditions until, as one ex-staffer puts it, ‘everything blew up in our faces.’ His reportage on daily life and crucial decision-making within the Green Zone reveals how incomplete our knowledge is about what and why things went wrong in Iraq after the overthrow of Saddam Hussein.

The general consensus is that while the decision to invade Iraq and topple Saddam Hussein is still open to deliberation, American mismanagement of the country after the invasion is not. Even the Bush administration’s staunchest allies now accept that mistakes were made and admit that, for example, dismantling the Iraqi army and driving out officials associated with the Baath Party (both policies that Bremer supported) were not beneficial in the long term. But often couched in this dominant interpretation is a complacent understanding, even a justification, of mistakes made during the occupation. The CPA’s experiment failed because of a series of mistakes, which began with inadequate commitment of resources, aggravated seriously by a misunderstanding of Iraqi politics, culture and religion. Iraqis continue to endure blackouts, lengthy lines for gas, rampant unemployment and an uncertain political future that began when US tanks rolled into Baghdad. American officials who once travelled the country to share their sense of mission with Iraqis now face such mortal danger that they are largely confined to compounds surrounded by concrete walls topped with razor wire. Iraqis who come to meet them must show two forms of identification and be searched three times.

After the fall of Saddam Hussein’s government in April 2003, the opportunity to participate in the American-led effort to reconstruct Iraq attracted many Americans — restless professionals, Arabic-speaking academics, university graduates, development specialists and war-zone adventurers. But before they could go to Baghdad they had to interview with Jim O’Beirne, a political Pentagon appointee who screened prospective political appointees for defense department posts. Interestingly, applicants didn’t need to be experts in the Middle East or even in post-conflict reconstruction. What seemed most important was loyalty to the Bush administration as blunt questions to some candidates about domestic politics were posed: Did you vote for George Bush in 2000? Do you support the way the president is fighting the war on terror? Two people who applied for jobs with the occupation authority said they were even asked their views on Roe v. Wade (landmark court case on abortion).

Many of those chosen for work with the CPA, which ran Iraq’s government from April 2003 to June 2004, required vital skills and experience. A 24-year-old who had never worked in finance, but had applied for a White House job, was recruited to reopen Baghdad’s stock exchange. The daughter of a prominent neoconservative commentator and a recent graduate from an evangelical university for home-schooled children were tapped to manage Iraq’s $13 billion budget, neither had in experience accounting. Interviewing hundreds of CPA staffers — many speaking on the condition of anonymity — and locals outside of the fortified Green Zone, Chandrasekaran also tells of the ludicrous manner employed whilst training the new Iraqi police force and details other equally ridiculous American attempts at reconstructing Iraqi society, including how new traffic laws were based on those of the state of Maryland, downloaded from the internet. In an interview, Chandrasekaran said, ‘what I wrote about is the whole other litany of mistakes that were made by American civilians who were there, from Ambassador Paul Bremer on down. It’s a series of what I think are blood-curdling stories: the people who showed up in Iraq, a country with 40 to 50 per cent unemployment, and said, Hey, this place needs a flat tax. It needs tariff reduction. It needs all sorts of other neoconservative economic solutions. It needs all of its government-run industries to be privatised.’ What the developmental experts failed to realise was the more critical task of rebuilding a country torn by steady bombardment and war. They needed sustainable ways to increase electricity generation; to rebuild shattered hospitals and schools; provide drinking water and above all, everyday security for local Iraqis who were not shielded in a fortified zone.

The book tells the bureaucratic story of Iraq’s first year without Saddam at the helm, when as the legal occupying power America was responsible for the country’s administration. The primary mechanism for that work, the CPA, was headquartered in the Green Zone, a blast barrier-encased compound created around Hussein’s Baghdad palace, on the west bank of the Tigris. It still is home to the American embassy and many other US government agencies that have operations in Iraq. The latter was Baghdad’s ‘Little America,’ with Halliburton food contractors serving hotdogs for lunch and non-halal chops for dinner. There were no fewer than six bars and a disco at the Al-Rashid Hotel. Along with Bible study classes, salsa dancing classes, two Chinese restaurants and a café, the author also mentions attending lavish farewell parties and a wedding, after which the honeymooning couple flew to Dubai.

Halliburton brought in scores of brand new Chevy Suburbans, which people would drive around on flat wide streets. They even had a radio station, 107.7 FM, Freedom Radio, which would mix classic rock and ‘rah-rah, we’re winning the war’ messages. So divorced is it from the world outside, that inside the Green Zone one cannot hear the muezzin’s call to prayer, smell the acrid smoke of a car bomb, or even hear the honking of traffic on the outside. ‘It was like you were in a whole different world. It’s like you had blasted off from somewhere outside in Baghdad and wound up on Mars,’ the author says of the calm sterility of the American CPA Zone.

Page after page, Chandrasekaran details other projects of the CPA’s bright young Republican ideologues — such as modernising the Baghdad stock exchange, or rapidly privatising every service that had previously been provided by the state. Some of these ideas would be laudable had they been planned for a country with functioning power and water supplies, rather than one tottering on the brink of anarchy. How could these young Americans have known what life was like for ordinary Iraqis since they never left the Green Zone to even visit the pizzeria set up by an enterprising Iraqi with the sole purpose of providing authentic Italian fare to the Americans? Instead, they turned their fortress into something like a college campus, where after a hard day of dreaming up increasingly improbable projects, they headed for bars and discos. The Iraqis were conspicuous by their absence inside the Green Zone.

According to the author, this mixture of arrogance, stubbornness and desire for career advancement ignited at the end of March 2004 when, with typical high-handedness, Bremer decided to close a newspaper published by the radical Shiite cleric Moqtada al-Sadr. He hadn’t imagined the consequences of this decision, having no military backup plan if Sadr decided to fight and, predictably, Sadr’s Mahdi Army did strike back. Within a few days four American private security operatives were ambushed and killed in Falluja. Their mutilated bodies were left hanging from a bridge over the Euphrates.

The Iraqis wanted to be equal partners in the rebuilding of their country but the American administration was going to thrown its weight around until a constitution was drafted and followed by a referendum and elections. Of course political history proved it wasn’t easy to lead Iraq towards a democratic form of governance where all stakeholders — Sunnis, Shias and Kurds — would share equal decision-making power. Today Iraq’s emerging political system is also at odds with original American goals. American officials scuttled plans to remain as the occupying power until Iraqis wrote a permanent constitution and held democratic elections. Instead, Bremer left the Iraqis with a temporary constitution, something he repeatedly promised not to do, and an interim government with a president who was not the Bush administration’s preferred choice. On the eve of its dissolution, the CPA had become a symbol of American failure in the eyes of most Iraqis. A poll sponsored by the US government noted that 85 per cent of respondents said they lacked confidence in the CPA, echoing what some Americans working in the occupation had also stated. They fault CPA staffers who were fervent backers of the invasion and of the Bush administration, but who lacked reconstruction skills and Middle East experience. Only a handful spoke Arabic.

Bremer, however, maintained that ‘Iraq has been fundamentally changed for the better’ by the occupation. The CPA, he said, had put Iraq on a path toward a democratic government and an open economy after more than three decades of a brutal socialist dictatorship. But take for example the Daura Power Plant project in southern Baghdad which was bombed in 1991 during the Gulf war. It was selected by the Americans to be a model of post-war effort at rebuilding Iraq. Neglected by Hussein’s government, the station could operate at no more than a quarter of its rated capacity leading to prolonged blackouts in the capital. German and Russian firms were hired to make repairs, and it was a priority project intended to achieve a 6,000-megawatt goal for electricity production. More power, Bremer hoped at the time, would improve the economy and daily life enough to reduce violence and stabilise Iraq. Today, the Daura plant is indeed a model of how the reconstruction effort has failed. The foreign contractors fled for safety; the Russians departed after two of their colleagues were shot to death by insurgents as they approached the plant in a minivan.

Chandrasekaran unstintingly depicts the ignorance of many Americans living in the Green Zone, such as the army general who says children terrified by nighttime helicopters should appreciate ‘the sound of freedom.’ Iraq’s future remains uncertain as it flourishes as a hotbed for widespread insurgent activity, while stunting economic and political developmental projects. Last year Rajiv Chandrasekaran received the £30,000 Samuel Johnson Prize for Non-Fiction. Now his story of Iraqi anguish and post-war realities is to be adapted by Hollywood for the silver screen.

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How the camera has made us all voyeurs

(Image: Susan Meiselas/Magnum/Amador Gallery/Tate Modern)

Are you a voyeur? Or just a bit nosey? Happier watching from the fringes than in the thick of it? Don’t be too hard on yourself: technology may be to blame, as you’ll see if you visit Exposed: Voyeurism, surveillance and the camera, an exhibition that opens at Tate Modern in London tomorrow, before moving to the US later in the year.

This is not for those who like their photography to be painterly: you won’t find the classical poise and technical perfection of an Ansel Adams landscape or an Edward Weston nude here. It’s the candid snapshot, the surveillance camera, the photojournalist and the paparazzo that are the stars of this show.

We’re unhappily familiar with the ways that new imaging technology can be used to satisfy old-fashioned desires – just think how the proliferation of cameraphones has brought a surge in “upskirting“, or taking surreptitious photos up a woman’s skirt. But the first thing that Exposedreveals is that the urge to snap people unawares is almost as old as photography itself.

See more images from Exposed: Voyeurism, surveillance and the camera

The first cameras were cumbersome and slow to use, but in the 1870s a new system, the gelatin dry plate, allowed both cameras and exposure times to shrink. For the first time, a moving camera could capture people in motion, because the more sensitive photographic emulsions needed just hundredths of a second to record an image: shutters were developed to permit this inhuman speed and precision of action. Cameras could be taken off their tripods and onto the street.

New York, 1969 (Image: Garry Winogrand/San Francisco Museum of Modern Art/Tate Modern)

No sooner had hand-held cameras gone into mass production in the late 1880s than early adopters were exploring what they could get away with in public. Exposed shows some of the spy cameras made at the time, with examples of the pictures that amateur photographers captured with such gadgets.

Most are charmingly innocent, although an 1892 shot of a couple lying nestled together on a beach – taken by a camera disguised as a parcel – begins a line of Peeping Tom snaps that runs through the exhibition, becoming ever more explicit thanks to technological advances such as infrared photography and night-vision image enhancement.

The military, meanwhile, had to wait for another technological revolution before they could make the most of the camera’s new mobility. Another picture in the exhibition shows the moment in 1911 when George Kelly, piloting a Wright Model B biplane, pointed his camera between his feet to snap a California airfield below, and so gave the world a new way of looking at itself: aerial reconnaissance photography.

Having cameras in the sky is obviously useful for military intelligence and espionage, but it has changed the way we see in more subtle ways too. Simon Baker, curator of photography and international art at the Tate galleries, says that officers initially found the view from above hard to read, because surface features become ambiguous without their familiar ground-level perspective.

However, this strangeness gives the imagination room to move: the CIA’s 1962 photographs of ballistic missile installations in Cuba, which put world war three on the starting blocks, resemble the abstract expressionist pictures of the period, with tracks scoured by military vehicles instead of vigorous brushwork.

The artist Sophie Ristelhueber explored this imaginative space when she photographed Kuwait from the air in 1991, six months after the first Gulf war ended. Her large, richly-coloured images show the desert landscape as a deeply wounded body.

Next to them, by contrast, the exhibition shows the crude and cheeky video BIT Plane from theBureau of Inverse Technology, an artists’ group from Melbourne, Australia. In 1999, at the height of the dot-com boom, they sent a camera-equipped remote-controlled aircraft flying over the corporate research campuses of Silicon Valley, including Xerox’s much-praised Palo Alto Research Center, to outwit commercial secrecy by spying behind the security barriers.

Although this is clearly a kind of surveillance – literally, “looking from above” – it is in spirit an act of “sousveillance“, or “looking from below”: the use of imaging technology and documentation by ordinary citizens to turn the tables on all-seeing governments and powerful institutions.

Candid street photography and military aerial reconnaissance may seem to have little in common, but they’re both examples of how the camera has made us more distant from each other and from the world around us, according to Sandra Phillips of the San Francisco Museum of Modern Art, who is the exhibition’s curator.

Looking at a photograph, we may see another person’s eyes, and their most private moments, without their being able to see us in turn. The person in the photograph may not even know that it exists, while the photographer – looking through an apparatus rather than directly at the other’s face – is in control of this one-way encounter.

Likewise, surveillance technology allows us to view the violence of war, or the potential violence of a political demonstration or a military installation, without putting ourselves in harm’s way. Photography, says Phillips, has made us think of distant watching and impersonality as normal.

British Army watchtowers. Magilligan Army Ranges, Magilligan Point, County Londonderry, Northern Ireland, UK 1999 (Image: Jonathan Olley/Diemar/Noble Photography, London)

There is much else to see in this exhibition: wonderful work by some of the greats of street photography such as Walker Evans, Henri Cartier-Bresson, Helen Levitt, Garry Winogrand and, more recently, Philip-Lorca diCorcia; the world of paparazzi and celebrities; and the documentation of violence. It ends with a simple demonstration of the power of the camera: a video by Thomas Demand of an everyday CCTV camera, projected real-sized on a screen above head level, panning from left to right, right to left, unhurried, relentless and unnerving.

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War tourism

War tourism is a term the media uses to describe the idea of recreational travel to war zones for purposes of sightseeing and superficial voyeurism. War tourist is also a pejorative term to describe thrill seeking in dangerous and forbidden places. There has been no proof of the concept in real life but the idea has gained currency in a number of media reports, none of which have actually interviewed or found a tourist who have visited active combat areas as a tourist.

There have been a number of tourists caught up in war torn regions, many who visit active war zones like Israel, Lebanon, Myanmar, Algeria, Colombia and other regions at war. There are many freelance journalists who describe themselves humorously as “war tourists” (P.J. O’Rourke is the most famous) and mercenaries who have pretended to be tourists to avoid discovery as in Michael Hoare’s attempt to take over theSeychelles disguised as “The Royal Order of Frothblowers”.

During the 2006 Israel-Lebanon crisis, for example, Beirut was full of tourists who were forced to leave when fighting with Israel broke out. Tourists have also been targeted in Kenya, the Philippines and other regions due to their media value and damage to the country’s tourist industry. It could be argued that continued tourism to these regions is war tourism, even though active combat is free from tourist access.

The initial myth of war tourism was actually started by a collection of stories by P.J. O’Rourke. His mocking and cynical view of journalism in conflict areas entitled ‘Holidays in Hell: In Which Our Intrepid Reporter Travels to the World’s Worst Places and Asks, “What’s Funny About This” planted the idea that maybe journalists are after all tourists on an expense account.

The PBS TV show, Frontline, used the phrase war tourism to describe a practice in Iraq of US troops going on daylight patrols and returning in the evening to heavily defended large bases.

A book on this topic is Dark Tourism (Tourism, Leisure & Recreation) by Malcolm Foley and John Lennon. The authors explore the idea that people are attracted to regions and sites where “inhuman acts” have occurred. They claim that motivation is driven by media coverage and a desire to see for themselves, and that there is a symbiotic relationship between the attraction and the visitor, whether it be a death camp or site of a celebrity’s death. Much of their focus in on ancient sites where “acts of inhumanity are celebrated as heritage sites in Britain (for example, the Tower of LondonEdinburgh Castle) and the Berlin Wall

War tourism is also confused with “Battlefield tourism”: the visiting of sites which have a relevance to historic battles, such as the German WW2 fortification, the Atlantic Wall or the Maginot Line in France.

From Wikipedia, the free encyclopedia

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The Power of Watching: The Everyday Voyeur in Popular Culture

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Tiling Books

Tiling Books Author/Design Concept: Pete Sampson Binding: Perfect-bound by hand
“These books are explorations into objects and processes that are defined by their context. They make little sense unless they are juxtaposed together so that their meanings become clear. Nine books were hand-made, in three different sizes. Each book was in five sections, defined by the colour of the paper stock. An image was spread over each of these sections. By placing the books together the whole image is revealed.”

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Tate Modern talk: Violence and Representation

Last Saturday I attended a discussion in Tate Modern called Violence and Representation. It’s the first time i’ve attended a Tate ‘talk’ before and was unsure of what to expect. It turned out to be really inspirational and completely relevant to my Major Project. It featured many notable speakers including; John Roberts, Susan Meiselas, Alberto Toscano, Shahidul Alam, Julian Stallabrass and Simon Norfolk. The day was divided into three sections with two speakers in each. After each section was completed the two speakers engaged in an open discussion time and took questions from the audience. The participants were all from quite different backgrounds and held varying opinions on the nature of the violent image.

John Roberts talk was entitled Violence, Photography and the Inhuman

He is professor of art and Aesthetics at the University of Wolverhampton. He is the author of a number of books, including The Art of Interruption:Realism, Photography and the Everyday (Manchester University Press, 1998) and The Intangibilities of Form:Skill and Deskilling in Art After the Readymade (Verso, 2007). He shared some fascinating insights into his thoughts on the image and the interrupted gaze. He gave examlpes of works such as John Taylors book entitled ‘Body Horror‘, the famous images of a particularly brutal Chinese torture method that were in the possession of  French writer George Bataille for more than thirty years without publishing. He also spoke of the photographer and cancer patient Jo Spence and her book documenting her illness and its brutal effects on her body,  ‘The Healing Camera‘. Following her diagnosis and treatment for breast cancer the artist is in mourning for her lost femininity. The operations she endures to rid her body of the disease, result in the destruction of her bodys integrity and the series of photographs that spring from it are a clear acceptance of her own anger and an attempt to find peace with her transformation. The method she is using here is referred to as photo therapy and essentially means using photography to heal oneself whether due to physical, emotional or psychological reasons.

‘The Healing Camera’

His thoughts on the act of viewing a photographic scene of terrible violence was what really intrigued me. He states ‘you must look, you must look away and you must return your gaze’. He believes that although the human condition determines our desire and need to look, it also makes it also a reflex action to look away and then return the gaze for a second time. To look for an extended period however aestheticises it and this should not be the intention of the viewer or the photographer.

The Second speaker was Magnum photographer Susan Meiselas. Her talk was called The Life of One Image over Time, in the Context of its Making and Reframing. She has worked as a freelance photographer since she joined Magnum in 1976. She is best known for her coverage of the insurrection in Nicaragua and her documentation of human rights issues in Latin America both in photography and film. One of her Nicaragua photographs entitled ‘Cuesta del Plomo‘ was part of the Exposed exhibition. And the most shocking and lingering for me. It is a particularly harrowing image of a dismembered body and spine. The creation of this image has brought her much negative press. Her defense however is that to witness is at the very core of being a photographer and it was her responsibility to not allow the victims story to wither and die in vain but to open up the eyes of the world to the atrocities that took place there.

‘What we gave in death to those who dared to look, inspiration in their own fight’.

When quizzed by an audience member as to what gain they find in taking and viewing these images, John Roberts responded by saying that ‘no symbolic capital is to be gained from looking at these images, you are destroyed by them’, however it is a photographers obligation to document a scene of terrible suffering, so as not to let them be forgotten. Perhaps it is not about looking and feeling but the act that follows the viewing. The small positive change it may bring to the mindset of the viewer and in turn wider society.

The third speaker was Alberto Toscano whose talk was entitled Iconoclasm Today: The Tactics and Ethics of Negative Representation. Toscano is Senior Lecturer in Sociology at Goldsmiths, University of London. He is the author of Fanaticism: On the Uses of an Idea (Verso, 2010) and The Theatre of Production: Philosophy and Individuation Between Kant and Deleuze (Palgrave, 2006). He discusses ‘the destruction of the image as a form of symbolic violence’. He speaks of how state control over the distribution of certain images is in itself an act of violence, one against society. An interesting point is how images that are distributed by the media in the west, in a sense neutralize the reality of war horror. It is very unusual to see a dead or mutilated body in a newspaper or on the news. We may be told of a incident where a suicide bomber resulted in two dozen fatalities with many more injured but we do not see the effects of this on the human body. Or we may see an explosion in the form of a car bomb but not the effects this has on human flesh. The media portrays warfare as the fight between good and evil but not ‘warfare as a production of human waste’. Another valid point is that we are a lot more likely to see an injured or dead person that is regarded as part of the enemy side. The British public is protected from scenes of injured British troops.

The fourth speaker was Shahidul Alam, a photojournalist and activist both born and living in Bangladesh. Former president of the Bangladesh Photographic Society, Alam set up the Drik agency, Pathshala school of Photography, Chobi Mela festival, Majority World agency and South Asian Media Academy. Alams talk was entitled ‘When the Lions find their Storytellers’. He begins his discussion by showing a slide of the cover of Time Magazine from 2010. The caption reads, ‘What happens if we leave Afganistan?’. The image shows a beautiful young girl who has had her ears and nose cut off by the her in-laws and Taliban members. The image is quite difficult to look at, this beautiful young face brutalised by extremist violence. The issue this image raised is that most violence is experienced by people due to domestic violence and not war in fact. Real violence begins at home. It is an inherent disease that is part of the condition of being human.

Alam is fiercely active in Bangladeshi politics and activism. He has used his skills as a photographer to give a voice to the people who are suppressed by the government and living in fear. His notoriously controversial campaign entitled “Crossfire“, highlighting the killings of the innocent people by the Bangladeshi government received much global appraisal. “Crossfire” examines extra judicial killings and torture allegedly carried out by the Rapid Action Battalion in Bangladesh. According to the exhibition,

“Human rights groups maintain that over 1000 people have been killed by RAB since its inception. All such deaths have been attributed to gunfights between RAB and criminals where the people in RAB custody were caught in crossfire. No member of RAB has yet been killed in crossfire.”

The New York Times Lens blog reviewed the exhibition’s photographs noting that,

“Instead of a literal document of the killings, Mr. Alam created a series of large images that are evocative of the places where the victims were murdered or discovered — a still-life film noir in Technicolor. With the help of researchers, he examined cases to point out inconsistent details in the official accounts…A field [see above] that was supposedly the scene of a shootout is portrayed undisturbed, suggesting the corpse had only been dumped there.”

What is most interesting about the exhibition and the inflamed response it received from the government was the fact that the moment of actual violence is not represented, it takes place off screen. The government, whilst strongly denying the existance of these ‘crossfire’ killings, forcefully tries to sensor the public viewing of them and the inevitable interpretation of these otherwise quite neutral scenes and in doing so admit their own  guilt.

‘Crossfire’

The fifth speaker was Julian Stallabrass, whose talk was entitled The Array of Representations of Violence. He begins by examining the installations of the artist Thomas Hirschhorn depicting mutilated human bodies, namely one called ‘The Incommensurable’. The installation itself is not something that all viewers will appreciate. He endeavors to expose the true effects of these ‘terror weapons’  and their effect on the human body. Voyeurism is magnified and presented on an industrial scale which undermines it in a sense. He speaks about where the images were sourced by the artist. Not form newspapers, not from the news or news websites but the internet and some middle eastern news websites and channels (as they are far more likely to show scenes of death than Western news channels are).

‘The Incommensurable’

Stallabrass also discusses the varying styles and techniques of different photojournalists in an effort to capture the essence of the devastating effects of war on a landscape and its people. One example of a photographer he mentions is Paul Seawright.

Commissioned by London’s Imperial War Museum, artist-photographer Paul Seawright spent June 2002 in Afghanistan. His response to the painful and extraordinary situation in the country, one of the first in the aftermath of the fighting, is far from sensationalist photojournalism. Collected in a book and exhibition under the title Hidden, his thoughtful, poetic images show abandoned interiors and vast desolate desert landscapes covered in the detritus of war-making: ordnance, landmines and unexploded bombs. Afghanistan is in fact the most heavily mined country in the world. The process of landmine clearance creates strange new landscapes, as in “Mounds” above, with sand piled into countless regular hillocks echoing the mountainous backdrop and suggesting an other-worldly location.

“Hidden”

The final speaker was Simon Norfolk. A really interesting man, he first trained as a photographer, working for far left publications specialising in work on anti-racist activities and fascist groups, before giving up photojournalism in 1994 in favour of landscape photography. His book ‘For Most of it I Have No Words: Genocide, Landscape, Memory’ (1998). He later travelled to Afghanistan where he produced the work entitled ‘Afghanistan: Chronotopia’ published in 2001. His presentation was really interesting due to the fact that he dealt with some of the problems to do with visualising modern warfare, with special reference to modern technologies and future combat systems. The warfare of the future will be totally invisible and largely unphotographable. Unfortunately, the representing of this warfare will continue in the old-mode not only because the representers don’t know better, but they also don’t know enough about the new technologies/methods and they have to concentrate on the visualisable because magazines end TV demand it. This results in a dangerous swerve away from recording the true effects of war. All that we see is also carefully controlled and edited. An interesting fact is that ‘the British army employs over 1,000 press officers to control what is released and what circulates within the press’. Norfolks motivation as a photographer is now to expose the level of sophisticated technology that is in existance today and being developed for the future, with the mindset of killing in the thousands, swiftly and brutally on our behalf .

Examples of Norfolks images from his series; ‘The LHC: The Spirit of Enquiry’, ‘The Supercomputers: I’m Sorry Dave, I’m Afraid I Can’t Do That’ and ‘Full Spectrum Dominance: Missiles, Rockets, satellites in America’

After much to-ing and fro-ing, no real answers had been arrived at while many more questions had been raised. But everyone was in agreement that “at the end of the day it’s fundamentally (photography) an aesthetic practice” – Julian Stallabrass

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